Showing posts with label Whistlingypsy. Show all posts
Showing posts with label Whistlingypsy. Show all posts

Friday, February 24, 2012

AMC’s Mad Men begins its much-anticipated fifth season on Sunday night, March 25, after a long and, for some of us, parched nearly two year hiatus.

This means that Sunday night will once more be Mad Men night in my world. At last. But I’m not alone in my joy, and a few blogger friends have volunteered to contribute guest posts to The Lady Eve’s Reel Life in celebration of the series' return. So...three Sundays and one Saturday in March, a different take on Mad Men will appear:

Sunday, March 4 – FlickChick with Mad Men: Now and Then and Back Again
Sunday, March 11 – Whistlingypsy on The Feminine Mystique of Mad Men
Sunday, March 18 – Christian Esquevin on Mad Men Style
Saturday, March 24 – Motorcycle Boy with Mad Men: Through a Glass Darkly

...plus...

Sunday, April 1 - The Lady Eve with A Meditation on Mad Men 

Coming soon: Jill of Sittin' on a Backyard Fence...

Click here to return to the Reel Life main page.


Tuesday, December 27, 2011


Arriving with 2012 will be this blog’s first major event, A Month of VERTIGO. The month will feature 10 11 bloggers and one ‘vlogger' reflecting on facets of Alfred Hitchcock’s Vertigo (1958).

Unpopular with critics and audiences when it was released, Vertigo has endured. Today it is generally considered the great auteur's masterpiece of masterpieces and is one of the most highly regarded films in movie history. Vertigo is an ambitious work of grand scale and reputation - a staggering review subject for the lone blogger. And so, we eleven twelve have joined together to contemplate this masterwork from many angles.

Here's what to expect at The Lady Eve's Reel Life during January 2012:


January 1, R.D. Finch of The Movie Projector offers Deadly Obsession: Alfred Hitchcock’s Vertigo.

January 4, Whistlingypsy of Distant Voices and Flickering Shadows muses on Bernard Herrmann ~ Composer of Haunting Music and Treacherous Dreams.

January 7, Christian Esquevin of Silver Screen Modiste and author of Adrian: Silver Screen to Custom Label takes a look at the costumes and the characters who wore them with The Costumes of Vertigo.

January 10, Brandie Ashe of True Classics considers Kim Novak in Vertigo: A Hypnotic Presence.

January 13, Michael Nazarewycz of Filmoria.com, ManILoveFilms.com and ScribeHard on Film contemplates the setting of Vertigo, that "jewel of American cities," with More Than Just the Streets of San Francisco.

January 16, Steven DeRosa, author of Writing With Hitchcock, looks at Vertigo from the perspective of  screenwriter Samuel A. Taylor with An Inconsequential Yarn.

January 19, John Greco of Twenty Four Frames offers his recent interview with preeminent Hitchcock biographer Patrick McGilligan (Alfred Hitchcock: A Life in Darkness and Light) on the subject of Vertigo and the filmmaker who conceived it.

January 22, Allen Hefner of Bit Part Actors honors those with roles small and momentary in Vertigo’s supporting cast with Vertigo, the Bit Players.

January 25, Classic Film Boy of Classic Film Boy’s Movie Paradise assesses James Stewart's iconic and complex performance as ‘Scottie Ferguson’ in Vertigo.

January 28, Brandon Kyle Goco of TCM’s Classic Film Union, Brandon Kyle the Cinephile and guest host of TCM’s October podcast series will ‘vlog’ (video blog) about his passion for Vertigo.

January 31 - Dan Auiler, author of the most essential book on Vertigo out there, VERTIGO: The Making of a Hitchcock Classic. A late addition to the guest contributor group, Dan offers Marking Vertigo, which he describes as "understanding Vertigo as Madeleine with Chris Marker as guide.

February 3 - I'll ponder Vertigo in relation to the the French noir novel it was adapted from, D'Entre Les Morts by Boileau-Thomas Narcejac.

Each post will include a bit of background on its author plus links to the contributor’s blog or site. Please join us for what promises to be a month of wide-ranging commentary on the Hitchcock film that critic David Thomson called "a masterpiece and an endless mystery," and about which he wrote, "It's a test case: If you are moved by this film, you are a creature of cinema..."