Showing posts with label Film Noir Festival. Show all posts
Showing posts with label Film Noir Festival. Show all posts

Sunday, December 30, 2012

January 2013 brings, at last, the much-anticipated Noir City XI, San Francisco's 11th annual film noir festival. Presented by the Film Noir Foundation at the city’s landmark movie palace, the Castro Theatre, the festival runs from January 25 – February 3 and will showcase 27 films!


Noir City XI begins with an opening night tribute to genre legend Peggy Cummins. Following Film Noir Foundation founder/author/film historian Eddie Muller’s onstage interview with Miss Cummins, Gun Crazy (1950), the noir classic that made her an icon, will screen. Other festival highlights include three world premiere restorations along with the U.S. premiere of 4K digital restorations of Sunset Blvd. (1950) and Experiment in Terror (1962). Also premiering will be 4K digital restorations of two of 1953’s first 3-D films, Inferno and Man in the Dark.

But wait, there’s more…

Returning with the 2013 festival will be the Noir City Nightclub event, set for Saturday night, February 2, at San Francisco's Regency Lodge. There'll be music - from jazz to noir-pop to the torch stylings of songstress Laura Ellis - and dancing and cocktails and a walk on the wild side courtesy of "international striptease sensation" Evie Lovelle.

Czar of Noir Eddie Muller, who not only founded the FNF in 2002 but also emcees the San Francisco festival (and nightclub), is also about to appear on Turner Classic Movies. Beginning at 8pm Eastern/5pm Pacific on Thursday, January 17, Muller will co-host "A Night in Noir City" with Robert Osborne. On the schedule are five films: Cry Danger (1951) starring Dick Powell and Rhonda Fleming, Phil Karlson's 99 River Street (1953) with John Payne and Evelyn Keyes, Tomorrow is Another Day (1951) with Steve Cochran and Ruth Roman, Michael Curtiz's The Breaking Point (1950) starring John Garfield and Patricia Neal and The Prowler (1951), directed by Joseph Losey and starring Van Heflin and Evelyn Keyes.


Robert Osborne and Eddie Muller, A Night in Noir City, January 17

In his 1998 book Dark City: The Lost World of Film Noir, Muller contended that among the many film varieties to come out of the studio era, film noir held up best: "Film noir pointed toward the black core of corruption in our "civilized" society and our primitive essence. The struggle of the individual to transcend or escape provided the emotional tension. That's the theme that makes noir so compelling for the contemporary crowd." Muller was onto something, for over time film noir has proven to be a genre of lasting appeal. With each successive year, the popularity of Noir City has grown, its program schedule has expanded and the Film Noir Foundation has been able to restore ever more films. Today, San Francisco's noir-fest is the kick off point for other film noir festivals around the country, with Noir City events following in Seattle in February, Los Angeles in April, Chicago in August and Washington, DC, in October.

Click here to learn more about Noir City
Click here to learn more about the Film Noir Foundation

Peggy Cummins and Eddie Muller backstage at TCM's 2012 Classic Film Festival
 

Thursday, January 6, 2011


The ninth annual San Francisco film noir festival, Noir City 9, will run from Friday, January 21, through Sunday, January 30, at the historic Castro Theatre; 24 films noir, both celebrated and obscure, will screen.

A presentation of the Film Noir Foundation, this festival is the centerpiece of the organization's effort to find and preserve films in danger of irreparable damage. The foundation's advisory council includes best selling novelists James Ellroy and Dennis Lehane, actress Marsha Hunt and film historian/critic Leonard Maltin.

Film Noir Foundation founder and president Eddie Muller, known as "the czar of noir," is a writer and filmmaker who frequently speaks at noir screenings. Earlier this year he was a special guest at Robert Osborne's 2010 classic film festival in Athens, GA, where he introduced the screening of Double Indmenity. Muller has also provided commentary on noir DVDs (Fallen Angel, The Lineup, They Live by Night and many others).

The Film Noir Foundation also produces festivals in Chicago and Washington, DC.

Click here for screening times and pricing.

The Stranger on the Third Floor (1940)

Friday Jan. 21

High Wall (1947), with Robert Taylor and Audrey Totter
The Stranger on the Third Floor (1940), starring Peter Lorre, considered "the first American film noir"

Saturday Jan. 22

Strangers in the Night (1944), directed by Anthony Mann
Gaslight (1944), with Ingrid Bergman, Charles Boyer and Joseph Cotten
They Won’t Believe Me (1947), with Robert Young, Susan Hayward and Jane Greer
Don’t Bother to Knock (1952), with Richard Widmark and Marilyn Monroe

Sunday Jan. 23

A Double Life (1947), directed by George Cukor, with Ronald Colman (watch a clip featuring Colman's Oscar-winning performance below)
Among the Living (1941), with Albert Dekker, Susan Hayward and Frances Farmer

Monday Jan. 24

The Lady Gambles (1949), with Barbara Stanwyck
Sorry, Wrong Number (1948) directed by Anatole Litvak, with Barbara Stanwyck and Burt Lancaster

Tuesday Jan. 25

The Dark Mirror (1948) directed by Robert Siodmak , with Olivia de Havilland and Lew Ayres
Crack-Up (1947), with Pat O’Brien, Herbert Marshall and Claire Trevor

Wednesday Jan. 26

The Woman on the Beach (1947)
The Woman on the Beach (1947), directed by Jean Renoir, with Robert Ryan and Joan Bennett
Beware My Lovely (1952), with Ida Lupino and Robert Ryan

Thursday Jan. 27

The Two Mrs. Carrolls (1947), with Humphrey Bogart and Barbara Stanwyck
My Name is Julia Ross (1945), with Nina Foch and George Macready

Friday Jan. 28

Crashout (1955), with William Bendix, Arthur Kennedy and William Talman
Loophole (1953), with Barry Sullivan and Charles McGraw

Saturday Jan. 29

Blind Alley (1939) directed by Charles Vidor, with Chester Morris, Ann Dvorak and Ralph Bellamy
Secret Beyond the Door (1948) directed by Fritz Lang,  with Joan Bennett and Michael Redgrave (this year’s “incomprehensible” film)
The Strange Affair of Uncle Harry (1945) directed by Robert Siodmak, with George Sanders, Geraldine Fitzgerald and Ella Raines
So Evil My Love (1948), with Ann Todd, Ray Milland and Geraldine Fitzgerald

Sunday Jan. 30
Angel Face (1952), directed by Otto Preminger, with Jean Simmons and Robert Mitchum
The Hunted (1948), with Preston Foster and Belita